materials: glycerin, found organic materials, twine
Wednesday, December 7, 2011
Sound Suit
Tuesday, December 6, 2011
Cities I would like to visit:
Perth, Australia
Istanbul, Turkey
Vancouver, Canada
St. Petersberg, Russia
Santiago, Chile
Mumbai, India
Istanbul, Turkey
Vancouver, Canada
St. Petersberg, Russia
Santiago, Chile
Mumbai, India
liu xiaodong
In the Shadow of Mao
Xiaodong’s work includes oil paintings done in vivid colors and broad brushstrokes. His work is representational and usually comes from snapshots he has taken in towns throughout China of people doing ordinary things: eating, waiting, swimming, etc. His paintings do not hide the fact that they are from photographs and Xiadong often frames them the way his snapshots are framed, with limbs cut off where figures run off the canvas.
Xiaodong’s work includes oil paintings done in vivid colors and broad brushstrokes. His work is representational and usually comes from snapshots he has taken in towns throughout China of people doing ordinary things: eating, waiting, swimming, etc. His paintings do not hide the fact that they are from photographs and Xiadong often frames them the way his snapshots are framed, with limbs cut off where figures run off the canvas.
Artist Statement
As an artist I am preoccupied by a desire to create art that captures the type of joy or beauty that is painful, memories that are sacred yet fading. My art is about a desire to remember and be remembered; it is about inevitable loss and the questions and concerns that follow that reality. Finally, my art is about a search for hope and beauty amidst the cycle of living, breaking, dying, and fading.
Often times these themes and preoccupations of mine lead me to photograph and collect objects and moments that I want to remember: nature, sticks and stones, river rocks, driftwood, a quiet afternoon, when I am alone, when we are together. These photographs and collections then become the reference point from which I paint, draw and sculpt. I then utilize organic shapes and colors, as well as the process of layering and fragmenting the imagery I have collected to represent the themes of memory, redemption, and longing.
Often times these themes and preoccupations of mine lead me to photograph and collect objects and moments that I want to remember: nature, sticks and stones, river rocks, driftwood, a quiet afternoon, when I am alone, when we are together. These photographs and collections then become the reference point from which I paint, draw and sculpt. I then utilize organic shapes and colors, as well as the process of layering and fragmenting the imagery I have collected to represent the themes of memory, redemption, and longing.
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